Firmware upgrade Ver. There are a few physical knobs and switches for audio level control right on the operator’s side of the camera, with an audio level display available on the LCD screen while viewing the image and several pages of fine detail control available in the menu of the EVA1. The Panasonic AU-EVA1 Compact 5.7K Super 35 Cinema Camera is a flexible, high-quality cinema camera system. If shooting in V-Log, the monitoring Rec709 correction can be selected individually for any or all of the three outputs. We have a full-fledged camera that’s designed for video production. A battery (coin-type battery) is built in the camera body to maintain the settings for date, time and TC. Panasonic AU-EVA1 4K New 5.7K Sensor. There’s even a clear plastic door covering the audio controls so that the operator can check the settings without fear of accidentally altering levels while handholding the EVA1. Thank you for your submission. There are two de facto standard lens mounts for Super-35 cinema/video production, PL and EF. What are the main shooting applications for the EVA1 camera? With a body weight of just 1.2 kg (2.6 lb. The EVA1 allows the infrared (IR) filter to be removed and replaced with a clear filter for extreme low-light conditions as a simple end-user configuration. It’s very convenient for that style of shooting. *1: Functions to be supported by firmware update. For the highest resolution and frame rates with the mildest compression, V60 type SDXC cards are required, but for other formats one can use cards of lesser capabilities. If “BACKUP BATT EMPTY” is displayed on the LCD monitor, the built-in battery is exhausted. The usability of the camera is high, and the expense is kept at a minimum. Panasonic has announced a free new firmware upgrade, EVA 3.0, for the AU-EVA1 cinema camera that greatly improves the camera’s capabilities. For a limited time, Panasonic is offering an exclusive 24 Month, 0% finance option on Panasonic cinema products. Are there any special financing offers available? All Rights Reserved. For a cinematographer that has never shot with Dual Native ISO, can you explain this feature? Detachable handle and rotary grip, meanwhile, add a new dimension to mobility, enabling convenient camera attachment to drones and gimbals. At 5.7K resolution, you have more individual examples of red, green, and blue – all of which enrich the resulting image in whatever resolution you choose to record. It was developed by Apple in coordination with Atomos. Most EF lenses are quite affordable, small and lightweight, which compliments similar aspects of the EVA1. There will be full Iris Control, One-Push Auto Focus, and Lens Data. Weighing only 2.6 lbs. For shoulder-mounted cinema operation, you can use the ARRI Pro Set for Panasonic EVA1.Or for a "run-and-gun" viewfinder solution, try the Zacuto EVA1 Gratical Eye Bundle.Selecting the ideal rig for your camera has never been easier, with various modular base plates, … When you start with more and get to less, more information comes through. A variety of accessories are available for the EVA1 to help meet your camera configuration needs. Sorry, you need to enable JavaScript to visit this website. Contains V-Log/V-Gamut capture to deliver high dynamic range and the colorimetry of the VariCam line. Panasonic says self-installment of a third-party PL mount will not void the camera’s warranty – just don’t do anything stupid, they say. The overall design of the EVA1 is to make it more comfortable for video production, as opposed to a stills camera that is doing double duty as a video camera. If others need to see the image as well the EVA1 offers great flexibility. The EVA1 is a professional production machine, and that means that it has proper professional features and controls in every aspect. And a lot of high-end production for narrative work needs the versatility of a camera like the EVA1. In other cameras, you just dial the gain up to get more sensitivity, but you get a lot of noise in the image. That means TV series shot with multiple cameras and productions shot on larger cameras like VariCams with the EVA1 as a B-Camera. By doing this, EVA1 can shoot at 2K or HD and retain the full Super-35mm field of view of the sensor up to 120 fps and record in a 10-bit 422 codec. By starting at a higher XLR (3-pin) x 2 (INPUT1/2), input high impedance, Type-A, 4-pin for Wireless Module (AJ-WM50), 3.5-type LCD monitor (approx. EVA1 offers dual balanced XLR audio inputs with Dolby Audio encoding. This results in a camera that can switch from a standard sensitivity to a high sensitivity with almost no increase in noise or other artifacts. At the same time, you have other people who have been shooting on large production cameras and they sometimes have need for a camera that is slimmed down and more portable. It is designed to be a versatile machine that you can plug into a lot of different situations. Shooters put up with the workarounds because these small cameras are so convenient to shoot with. The Shoulder Mount from SHAPE is a shoulder rig system with lightweight support (LWS) for the Panasonic AU-EVA1 camera. The ability to capture accurate colors and rich skin-tones is a must for any filmmaker. The camera can switch from a standard sensitivity to a high sensitivity with almost no increase in noise. The EVA1’s other recording modes allow 4K 10-bit up to 30 frames or 4K up to 60 frames in 8-bit. And many modern cinema lenses are available with interchangeable mounts. The camera has a built in mechanical ND filter with a range of ¼ to 1/64. The two highest level cameras supported by Atomos recording in ProRes RAW are the Panasonic VariCam LT and the EVA1. 3.0 includes HEVC H.265 codec, IP live control & quick switch feature. That’s almost twice the resolution of a 4K image. Additionally, the increased color information results in a finer, more accurate finished image. For high-speed capture, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area). A silhouette of a small-looking camera and all we could see was a Panasonic logo. These files can then be seamlessly edited in Final Cut Pro X. MOV or AVCHD (4:2:0 8-bit) recording options or output RAW. EVA1 gives you a choice. ProRes RAW is a compressed form of RAW and is currently available in two compression levels, ProRes RAW HQ is 3:1 and ProRes RAW is 4:1. The EVA1 sensor and image processor can see 14 stops of dynamic exposure range. Panasonic has exclusive 24 month / 0% or 36 month / 1.99% financing offers available on select professional video products. It can also record 4K up to 60p and 2K up to 240p, all in ProRes RAW, and capture 4K30p and 2K120p in CinemaDNG RAW. As a professional video production tool, EVA1 contains several professional imaging tools, including Peaking, Expand (Image Zoom), Waveform, Zebras, and Spotmeter (Y-Get). Another way of using Dual Native ISO is the ability to lower your light levels. There are different ways all this information can be used. These recorders can also take the RAW signals, process them into video and record traditional ProRes or DNx video files. ), EVA1 is easy to shoot and comes with EF lens-mount (check lens compatibility before purchase). ... Panasonic TH-50PX60U 50-Inch Plasma $340 (Grayslake) pic hide this posting restore restore this posting. Shooting Angel of Death on the San Diego Comic Con, Share Your Vision – EVA1 Video Contest [Playlist], Short film "Near to Superstition" shot on, Short film "Radio 88" - Behind the scenes. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image … Craigslist has listings for weight in electronics in the Chicago area. Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (No Lens) is a flexible camera system ready for documentary, cinema, and live event production. Enable remote control of select Panasonic cameras via your iOS / Android mobile device. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down-sampled to 4K, UHD, 2K, or even 720p. Why are there so many recording formats in the EVA1? The Dual Native ISO ratings on the EVA1 are 800 ISO and 2500 ISO, and the sensor captures a Dynamic Range of 14 stops, so you can really see far into shadows and highlights. Selecting any of the buttons will update the larger main image. For lensing, the camera utilizes a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. What are the monitoring options on the EVA1? ProRes RAW is a new recording format and Panasonic is proud to be the premiere camera manufacturer associated with it. Canon EF 24-70mm f/2.8L II USM Lens Ideal for indie filmmakers, the EVA1 records to readily-available, lower-cost SD cards. Gimbal devices like a [Freefly Systems] Movi or a [DJI] Ronin want a fully featured camera but in a small and lightweight package. Beyond just having the items on a checklist, great care has been taken to integrate them into the camera’s design for the best functionality. ", [deg] mode: 1.0 deg to 358 deg (0.5 deg step), CLEAR, 0.6ND, 1.2ND, 1.8ND, Electrical driven, USER assignable IR shooting (filter ON/OFF). That can be for a high-end production or a more modest production where it can be used for savings, or a stylistic choice. The EVA1 sensor has 17.25 million active photosites in Super-35. You’re also going to have people who do news shooting, as well as live event type work such as weddings and sports videography. Weight, what weight The camera body only weighs 1.2kg. Or for longer recording times, with 4K/60 10-bit video, the EVA1 also offers HEVC in-camera recording. It has a removable side handgrip with integrated controls. native resolution, the 5.7K sensor yields a higher resolving image when Short film Near To Superstition, shot by cinematographer Elle Schneider on the EVA1. Panasonic knew it and in fact the company markets our topic of interest here, the EVA1, as the camera that fills the gap. Then it oversamples that 2.8K down to 2K or HD, yielding a high-resolution image while saving processing power. The EVA1 delivers 14-stops of Dynamic Range, enabling fine gradation in exposure from bright to dark. And the EVA1 can also record in V-Log, which flattens out all the exposure info to store as a video file for later color grading in post. Visit us at any one of our upcoming events, contact your local Authorized Panasonic Reseller, rent it from your preferred rental company, or request a personalized demo from one of our cinema camera experts. To get up to 240 fps, the frame is slightly cropped to 4.5K, sampled in half to 2.2K and then that 2.2K is oversampled to 2K or HD. And for fast editing, the EVA1 offers ALL Intra compression (400 Mpbs)) for in-camera recording. Depending on the selected format we require cards that can do certain read and write speeds. “With its small size and weight, combined with great features, the Eva1 represents the best value in its class,” said Mitch Gross, Panasonic’s cinema product manager. In addition, we have proper connectors – real XLR audio inputs, full-size HDMI and locking SDI connectors for video outputs. The EVA1’s top frame rate is 60fps in DCI 4k. Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. That’s a lot of information to process so fast, so at some frame rate and resolution combinations the EVA1 does some clever tricks. The EVA1 supports a long list of EF-mount optics from Sigma, Zeiss, and others, including elegant FIZ control of the Canon Compact Cine 18–80mm and 70–200mm zooms. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. The camera can record two tracks of audio and it features a pair of XLR audio inputs. The ND filter and IR Cut filter operate electronically, which will allow wireless remote control from smartphones and tablets. $150. EVA 3.0 adds HEVC (High Efficiency Video Coding) H.265 recording for 4K 10-bit recording up to 60 frames per second. NEW! There are several combinations of signal possible: one output can be in 4K while the other is HD, and one could be a clean image with no display information while the other has just the info you choose to show, which can be different than what is displayed or not on the camera’s LCD. Sdi output to spread all that exposure range, sure to please many customers and dark at once integrated. Narrative work needs the versatility of a button space but it requires the post-program to read sensor! Recordings, resulting in higher resolving images with less noise and artifacting when compared to non-super-sampled.... To dual SD cards in 4K almost any lighting environment adds HEVC ( high Efficiency Coding! 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